Fortress

《堡垒》是一组围绕心理偏见与认知局限展开的绘画作品。

偏见在此并非具体立场，而是一种由个体经验、环境与身份共同筑起的心理结构——如同堡垒，既提供安全感，也形成封闭与防御。

每一个个体都被自身所处的视角所包围，局限由此产生，偏见随之固化，并在日常中不断被强化。这种心理堡垒并非轻易可被击碎，它往往在无意识中运作，决定着我们如何观看、判断与回应他者。

画家通过将不同个体视角进行孤立与并置，使这些“堡垒”在画面中并列存在。它们彼此对峙、呼应，却无法真正相互进入。偏见因此被呈现为一种对话状态：既相互关联，又充满矛盾与错位。

作品并不试图给出结论或裁决，而是引导观者在多重视角之间来回游移，意识到自身所处的位置与限制。在观看的过程中，堡垒不被摧毁，却被看见——一种多元反思由此发生。

Fortress is a series of paintings exploring psychological biases and the limitations of individual perception.

In this context, bias is not a specific stance but a mental structure shaped by personal experience, environment, and identity—like a fortress that provides a sense of security while simultaneously creating closure and defense.

Each individual is enclosed within their own perspective, giving rise to inherent limitations. Bias solidifies over time and is continuously reinforced in everyday life. Such psychological fortresses are not easily breached; they often operate unconsciously, shaping how we observe, judge, and respond to others.

The artist isolates and juxtaposes different individual perspectives, allowing these “fortresses” to coexist within the same frame. They confront and echo one another, yet cannot truly enter each other’s space. Bias is thus presented as a form of dialogue—interconnected yet full of contradictions and dissonance.

The works do not aim to dismantle these fortresses or pass judgment. Instead, they invite viewers to navigate multiple perspectives, becoming aware of their own position and limitations. In the act of observation, the fortresses remain intact, yet they are made visible—offering a space for plural reflection.